Matt Jones

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Notes 11.7.2024

Still from the film The Shining. Wendy, played by Shelley Duvall, sits at the table with Danny
Still from the film The Shining. Wendy, played by Shelley Duvall, sits at the table with Danny Fair Use

Today’s notes

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Notes 8.7.2024

Black and white photos of a wind turbine, viewed from below.
Black and white photos of a wind turbine, viewed from below. Attribution: byronv2 · (CC BY-NC 2.0)

Today’s notes

Some reaction to Rachel Reeves’ first speech as Chancellor of the Exchequer.

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Sayonara Social Media

I deleted my Twitter account in November 2022, after Elon Musk hilariously carried a sink into Twitter HQ, having sensibly purchased Twitter for forty quintillion dollars. Let that sink in.

I just couldn’t bear being a member of a platform owned by Prime Tech Doofus Musk, despite having lots of Twitter friends, the glue of those virtual friendships being mainly the politics of cycling infrastructure.

Instead I found Mastodon offered a more pleasant experience free of algorithms and full of interesting people posting interesting things.

Although I did something that was classic me; instead of finding and joining an existing instance (or to use an analogy, an island) of like-minded folk, i created my own island with just me as its sole inhabitant. A castaway shouting out to sea with the hope that the tech on which island ran would allow me to be discovered by other islands of like-minded folk.

But that didn’t really happen, and as a clone of Twitter, I had the same problem with it; that I found myself posting stuff just to seek that dopamine hit, the attention, the validation. When that didn’t come, my feelings were negative and my mental health took a small inverse hit.

ActivityPub is an important open protocol because it allows social media platforms to be created that are decentralised and not owned by anyone. But I’m not convinced that social media isn’t fundamentally - whether it uses an open protocol or not - a corrosive model of online engagement.

So now, I’ve decided to make these pages, again, my one online home. Just like it was when I started writing this blog 24 years ago. And with that I’m going to work on my relationships ‘in real life’, and be more reliant on those dopamine hits from offline human interactions.


Notes 13.7.2023

Photo of a white VanMoof bicycle leaning against a blue garage door
Photo of a white VanMoof bicycle leaning against a blue garage door Attribution: Kwanz · CC BY 2.0

Today’s notes

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Link Notes 10 March 2023

1840s illustration of Herne the Hunter riding a horse
1840s illustration of Herne the Hunter riding a horse Attribution: Wikimedia Commons · Public Domain

What I’m thinking about today. Interested in the power of music and memory, or how the former can trigger the latter. Also, crisis at the BBC.

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Andor

A post about Andor, with no spoilers.

I don’t tend to consume a lot of tv or films these days. It’s not that I don’t want to, it’s a just a lack-of-time thing really.

I will occassionally seek out new Star Trek series (see what I did there) and watch the various Star Wars series when they come out.

I enjoyed the Mandalorian and Obi-Wan Kenobi, but couldn’t stick with The Book of Boba Fett. So when I saw yet another Star Wars series available on Disney Plus I sort of thought ‘not another series shoe-horned into the Star Wars saga’ and wasn’t particularly compelled to check it out.

Then I read up on it and saw that it was produced by the same team as Rogue One, which is widely considered to be the best of the post-prequel Star Wars films, to which I agree. You know when a film sticks in your mind for a bit after you’ve seen it? Well Rogue One is the only Star Wars film since Return of the Jedi that did that to me.

So on that basis, I decided to watch Andor, and having watched it, I’d say it’s up there with the best of the entire Star Wars franchise. It covers completely new ground with plotting and character development, it’s about fundamental themes of oppression and resistance, it’s visually stunning, it’s surprising, it’s tonally perfect with touches of humour in the right places, and it’s obviously written and directed by people with a singular vision who can write a good plot.

I’m just going to leave it there and say watch it.


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